Galerie Division
Artistes Exopsitions Contact



JAMES CARL

 

RETOUR
 


JAMES CARL

FORMATION

1996  Rutgers University, New Jersey, MFA

1995 & 1990 Central Academy of Fine Art, Beijing, Diplomas

1992  McGill University, Montréal, BA

1983 University of Victoria, Colombie-Britannique, BFA

EXPOSITION SOLO

2010 
Side Effect, Diaz Contemporary, Toronto, ON

2008-09
Jalousie, Diaz Contemporary, Toronto, ON
Do You Know What: A Survey 1990-2008, Justina M. Barnicke à l’Université de Toronto; Macdonald Stewart Art Center, Guelph; et Cambridge Galleries, Queen’s Square, ON

2007 
Jalousie, Galerie Heinz-Martin Weigand, Karlsruhe, Allemagne

2006 
Negative Spaces, Florence Loewy, Paris, France

2003 
Plot, Contemporary Art Gallery, Vancouver, BC

2002 
Bottom Feeder, Mercer Union, Toronto, ON

1999
Work, Galerie Haus Schneider, Karlsruhe, Allemagne

1998 
Galerie Clark, Montréal, QC
Stock, Art Metropole, Toronto, ON

1997 
Fountain, Toronto Sculpture Garden, Toronto, ON

1996
Still Life, Paul Petro, Toronto, ON

1994
Unentitled, YYZ, Toronto, ON

1993 
Public Works, Grunt Gallery, Vancouver, BC

1992 
Re-possession, Galerie Clark, Montréal, QC

EXPOSITIONS DE GROUPE


2010 
C’est ce que c’est: Acquisitions récentes d’art actuel canadien, Musée des Beaux-arts du Canada, Ottawa, ON
Beyond/In Western New York, Albright Knox Gallery, Buffalo, É.-U.
Triumphant Carrot: The Persistence of Still Life, Contemporary Art Gallery, Vancouver, BC

2009 
Nothing to Declare: Recent Sculpture from Canada, The Power Plant, Toronto, ON

2008 
Arena, Art Gallery of Nova Scotia
ABC With Love, Art Metropole, Toronto, ON

2007 
Pulp, Open Space, Victoria, BC
Fun House, Art Gallery of Alberta, Edmonton
Sculpture Group Show, Diaz Contemporary, Toronto, ON

2005 
Inaugural Group Show, Diaz Contemporary, Toronto, ON

2004 
Constructa, Galerie 5020, Salzburg, Autriche
Constructive Folly, Doris McCarthy Gallery, University of Toronto, ON

2003 
Recycle, McMaster University, Hamilton, ON

2002 
New Modular, Blackwood Gallery, University of Toronto, ON
Provisional Worlds, Art Gallery of Ontario, Toronto, ON

2001 
Promises, Contemporary Art Gallery, Vancouver, BC
Forever, Embassy of Canada, Pékin
First Light, Bellevue Art Museum, WA
Objets de Convoitise, Galerie 101, Ottawa, ON

2000 
Minimal Pop, Traywick Gallery, Berkeley, Californie
Minutia, SECCA, Caroline du Nord
Climbing the Walls, Robert Birch Gallery, Toronto, ON

1999
New Urban Sculpture, New York Public Art Fund Commission
Spatial Interest, Workspace, New York
Summit, Galerie 5020, Salzburg
Something, Kunstverein Hanovre
I'm the Boss of Myself, Sara Meltzer, New York

1997
Wrong Place, Right Time, Double Pleasure, New York
Mannequins, Villa Minimo, Hanovre
Face Value, PS 122, New York
Vague Pop Part One, View Room, New York

ART PUBLIQUE


2011 
Rubber Band Project, Bell Lightbox, Toronto, ON

COLLECTIONS

Musée des Beaux-arts de Canada, Ottawa, ON
Musée des Beaux-arts de l’Ontario, Toronto, ON
McCarthy-Tétrault, Toronto, ON
Fasken Martineau Dumoulin LLP., Toronto, ON
Goodmans LLP, Toronto, ON
Art Metropole Archive, Musée des Beaux-arts de Canada, Ottawa, ON
Banque d’œuvres du Conseil du Canada pour les Arts
Collections privées au Canada, États-Unis, en Chine et en Allemagne

BOURSES/PRIX


2007 Toronto Arts Council, Ontario Arts Council
2006 Conseil du Canada, Studio à Paris
2002 Conseil du Canada, Ontario Arts Council
2001 Conseil du Canada bourse de voyage
1999 Louis Comfort Tiffany Award
1999 Conseil du Canada
1997 Conseil du Canada
1996 Toronto Arts Awards, Protégé Award (donné par by Tom Dean)

BIBLIOGRAPHIE


2009 
Terrence Dick, “What You See is What You Don’t Get: The Art of James Carl,” Border Crossings, No. 110, pp. 56-65
Pamela Meredith, “James Carl,” Canadian Art, Vol. 26 No. 2 p. 103
Dan Adler, “Review: James Carl at Diaz Contemporary,” Artforum, Février 2009, p. 202
Sarah Milroy, “Getting under the skin of things,” Globe and Mail (Toronto), 10.01.09, p. R6 

2008 
David Balzer, “Eye Candy: jalousie and do you know what,” Eye Weekly (Toronto), 04.12.08
Murray Whyte, “Turning Trash into Treasure,” Toronto Star, 27.11.08, p. E3

2005 
Robin Peck, “Rock Paper Scissors,” C Magazine, (Toronto), 05.05
2004 
Sara Milroy, “Conceptual Art with your Pradas?” Globe and Mail (Toronto), 04.02.04, p. A3
Catherine Osborne, “Come Up to My Room,” National Post, 14.02.04

2002
Sarah Milroy, "Out of the Ordinary," Globe and Mail, 03.12.02, p. R5
Jessica Bradley, "Provisional Worlds," Exhibition Catalog, Art Gallery of Ontario, 10.02
Sarah Milroy, "Thoroughly Modern Art," Globe and Mail, 25.09.02, p. R5
Betty Ann Jordan, "Message in a Bottle," Toronto Life, 10.02, p. 54
Ann Dean, "Politics and Romance," C Magazine, #73, Printemps 2002, p.23

2001
Jessica Bradley, “On James Carl…” Canadian Art, Hiver 2001, p. 70
Ruth Dusseault, “Winston-Salem,” Art Papers, 05.01, p.40
Jill Conner, “Bellevue, Washington,” Art Papers, 05.01, p. 54
Gillian McKay, “the Best of Canadian Sculpture,” Globe And Mail, 03.11.01, p. V5
Bryne McLaughlin, "Toronto Sculpture Garden," Canadian Art, Été 2001
Doug Kim, "Museum premiers with light, passion," Seattle Times/Post, 07.01.01, p. F1
Ron Glowen, "Luminous at the Bellevue Art Museum," Artweek, 28.03.01
Aline Bégin, "Ou Convoitise et Commerce se Rencontrent," Le Droit, 21.04.01, p. A46

2000 
Glen Helfand, “Minimal Pop,” San Francisco Bay Guardian, 03.05.00, p. 103
Robert Mahoney, “New Urban Sculpture,” Time Out New York, 31.10.00, p. 56
Roberta Smith, "Stretching Definitions of Outdoor Sculpture," New York Times, 28.7.00, p. B25
Gary Michael Dault, "Gallery Going," Globe and Mail (Toronto), 22.7.00, p. R10

1999
Carol Vogel, "Inside Art," New York Times, 15.10.99, p. B32
New Yorker, "Goings on About Town," 13.9.99
John Grande, "James Carl," Sculpture, (Chicago), Avril 99, pp. 18-25

1998 
Marcus Miller, "Essential Items," Mirror (Montréal) 8.10.98, p. 31

1997 
Christopher Hume, "A Panoramic View...," The Toronto Star, 5.6.97, p. G12
Gillian MacKay, "Sculptural Surrogates...," Globe and Mail (Toronto) 31.5.97, p. C13
Barbara Fischer, "fountain," Toronto Sculpture Garden (Essai pour un catalogue)
Blake Gopnick, "James Carl's Corrugated Craft," The Globe (Toronto), 15.2.97, p. C4

1996
John Grande, "Exhibition Review," Atlanta Art Papers, 11.96